Points in Time: Tales from Morocco Read online

  [25] Spivak admits that this is “an old-fashioned binary opposition” (112).

  [26] See Bowles, “Fez,” “Sad for U.S., Sad for Algeria,” and “No More Djinns.”

  [27] See Emily Apter, “‘Untranslatable’ Algeria.”

  [28] Criticism on the collaboration includes Mary Martin Rountree, “Paul Bowles: Translations from the Moghrebi”; Ibrahim Dawood, “Mohammed Mrabet’s Fiction of Alienation” and “Mohammed Mrabet and the Significance of His Work”; Richard F. Patteson, “Paul Bowles/Mohammed Mrabet: Translation, Transformation, and Transcultural Discourse”; John Maier, Desert Songs: Western Images of Morocco and Moroccan Images of the West; and Greg Mullins, Colonial Affairs: Bowles, Burroughs, and Chester Write Tangier. See also chapter five of my Morocco Bound.

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  Table of Contents

  Foreword: Africa Minor [1959]

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  Appendices